Valentina Lisitsa is an internet phenomenon.
The Ukrainian classical pianist’s YouTube channel has more than 170,000 subscribers. Performance videos like this one have generated millions of views:
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Lisitsa was scheduled to play concerts in Toronto this week, but on Monday, Lisitsa was told by the Toronto Symphony Orchestra that her two performances were canceled. The problem had nothing to do with her playing, and everything to do with her politics.
Lisitsa has been tweeting for months about the political situation in Ukraine under the pseudonym “NedoUkraïnka.' The pianist, who was born in Ukraine but is an ethnic Russian, has been highly critical of the government in Kiev — even comparing its behavior to the Nazis.
Why Ukro-Nazis are so fond of torchlight marches? Mystery solved Ivano-Frankivsk, Europe. https://t.co/evd29MWo1Dpic.twitter.com/fRNeknTya4
— NedoUkraïnka (@ValLisitsa) March 9, 2015Op-ed@latimes: move Victory Day to Kiev. Because nobody does Nazi torchlight marches better? http://t.co/P9M5a3whRfpic.twitter.com/W4F4s4faEr
— NedoUkraïnka (@ValLisitsa) March 18, 2015“We had a number of members of Toronto's community approach us about her deeply offensive texts,' Jeff Melanson, president of the Toronto Symphony Orchestra said in an interview with the CBC. 'People were very offended over what she was saying online starting in December, and that sort of crescendoed over the last three or four months. And when we reviewed the various tweets and asked Valentina to please explain the tweets and the content, unfortunately these were her words and we were left with no choice but to remove her from the program.”
Lisitsa has used her considerable fan base to lobby Melanson and the Toronto Symphony Orchestra on her behalf. She made a plea on Facebook asking supporters to contact the TSO, and she stated her case on RT, an English-language television network funded by the Russian government.
'I always separated music from politics and I tried to keep enormous distance between the two,' she said. 'I think it was my mistake, in a way, because now my tweets have caught up with me and I'm totally for freedom of speech — for freedom of discussion of argument, of heated argument. And that's what I’ve been doing on Twitter, delivering the other point of view.'
That 'other' point of view is her strong support of the Russian minority in Ukraine. Lisitsa says the symphony was pressured by members of Canada's Ukrainian community to cancel her concerts. Canada has the world's third-largest Ukrainian population, behind Ukraine itself and Russia. The president of the Ukrainian Congress of Canada has spoken out against Lisitsa and supports the decision to cancel her performances.
“I was about to go onstage with Toronto Symphony to sold out auditoriums to play Rachmaninoff concertos, not to preach politics,' Lisitsa said. 'And yet I was silenced because of something that I said on Twitter.”
The TSO initially booked pianist Stewart Goodyear to replace Lisitsa, but it canceled the performances entirely under public pressure.
Faced with a barrage of criticism @TorontoSymphony is forced to cancel Rachmaninoff altogether. pic.twitter.com/CxmcIa7sns
— NedoUkraïnka (@ValLisitsa) April 8, 2015For some inside the classical music community, the TSO is setting a bad precedent. 'She wasn't here to spread any of her political ideologies to anybody,' says Michael Vincent, a Canadian composer and the editor of online classical musical magazine, Musical Toronto. 'Why did the TSO dump her from the program when admittedly she wouldn't have been speaking politically at all, just performing?'
As for Lisitsa? She's unrepentant.
'I think I was right to do it and I think that looking backwards I would not change anything that I did,' she said.
Lisitsa was paid by the Toronto Symphony Orchestra even though her fingers never played a single note. And she's scheduled to perform with the Calgary Philharmonic Orchestra later this year.
The next orchestra to come under attack is @CalgaryPhil They are bravely holding for now Thank you @slatercpopic.twitter.com/EZWdAJu0i1
— NedoUkraïnka (@ValLisitsa) April 8, 2015Valentina Lisitsa - Chopin, Schumann: Etudes (2014)
X Lossless Decoder | Flac (Tracks + cue + log) | 1 CD | Full Scans | 316 MB
Genre: Classical | Label: Decca | Catalog Number: 002224502
'Following her recent well-received Michael Nyman recording Chasing Pianos, Valentina now turns her attention to the Romantic Era and the Études of Chopin and Schumann. Chopin's Études were the first to be seen as true piano works rather than merely studies. Quickly becoming a regular part of the concert repertoire, these are some of the most challenging and evocative works for piano.'
'Reviews: Not that many pianists record all the Chopin Etudes from Op. 10 and 25. The reason? They're tough to play, tougher to play very well. The Etudes span every mood, from sadness to winter storm to warlike, and were designed to test a pianist's technique and nerve.
Valentina has a lot of serve. She recorded these under the watchful eye of her public, live streaming two days of her sessions. There's no snip and paste here -- at the sessions she played each etude in whole. A knowledgeable producer would discuss the piece with her and off she'd go again. I listened to much of it and the commenters (one of the beauties of live streaming) would consistently say, 'Wow, that one's perfect.' Frankly, almost every one of her takes would have been recordable. As she has shown in the past, her pieces are played as a whole, keeping a singing line. Her technique is flawless, and her playing is so clear that you can hear the most minor nuance even while there is a whirlwind of notes. She is also a very fast player, but to me she never sounds rushed. Her clarity of technique means that you don't hear a jumble of sounds. I'm open to debate as to whether anyone plays the Etudes better. But I'll be listening to these on my desert island. Remember, the entire body of these is so difficult that Rubinstein never recorded them -- and he is on record as saying some of them were beyond him. Imagine.
The Schumann Symphonic Etudes are likely less familiar to many, but they are masterful (and difficult) works. The gold standard for these works has been Sfronitsky's interpretation, thankfully on You Tube. It is said no one ever played them better, and the works were nicknamed 'sofronicheskie etudy.' This may rile people but I think Lisitsa's version is better. Naturally, the recording is clearer -- there's a five decade gap in technology (plus Sfronitsky plays live which is often harder to record). But after the quiet opening, check Lisitsa's Tracks 26-27 and Sfronitsky (starting at about 2:30). Lisitsa's fingerwork is more agile, and every bit as lovely. On to the finale -- Lisitsa plays over 30 seconds faster and for the opening bars of the finale it sounds too fast at first listen. But she maintains the tempo and it really makes sense as the piece builds to its climax. When I went back to the Sfronitsky it sounded a little plodding.
One may disagree with the Sfronitsky comparison I made, but (a) at the very least the modern sound is more enjoyable, and (2) she plays the hell out of the Etudes.'
Valentina has a lot of serve. She recorded these under the watchful eye of her public, live streaming two days of her sessions. There's no snip and paste here -- at the sessions she played each etude in whole. A knowledgeable producer would discuss the piece with her and off she'd go again. I listened to much of it and the commenters (one of the beauties of live streaming) would consistently say, 'Wow, that one's perfect.' Frankly, almost every one of her takes would have been recordable. As she has shown in the past, her pieces are played as a whole, keeping a singing line. Her technique is flawless, and her playing is so clear that you can hear the most minor nuance even while there is a whirlwind of notes. She is also a very fast player, but to me she never sounds rushed. Her clarity of technique means that you don't hear a jumble of sounds. I'm open to debate as to whether anyone plays the Etudes better. But I'll be listening to these on my desert island. Remember, the entire body of these is so difficult that Rubinstein never recorded them -- and he is on record as saying some of them were beyond him. Imagine.
The Schumann Symphonic Etudes are likely less familiar to many, but they are masterful (and difficult) works. The gold standard for these works has been Sfronitsky's interpretation, thankfully on You Tube. It is said no one ever played them better, and the works were nicknamed 'sofronicheskie etudy.' This may rile people but I think Lisitsa's version is better. Naturally, the recording is clearer -- there's a five decade gap in technology (plus Sfronitsky plays live which is often harder to record). But after the quiet opening, check Lisitsa's Tracks 26-27 and Sfronitsky (starting at about 2:30). Lisitsa's fingerwork is more agile, and every bit as lovely. On to the finale -- Lisitsa plays over 30 seconds faster and for the opening bars of the finale it sounds too fast at first listen. But she maintains the tempo and it really makes sense as the piece builds to its climax. When I went back to the Sfronitsky it sounded a little plodding.
One may disagree with the Sfronitsky comparison I made, but (a) at the very least the modern sound is more enjoyable, and (2) she plays the hell out of the Etudes.'
Tracklisting:
1. Chopin No.1 In C Major 12 Etudes, Op.10
2. Chopin No.2 In A Minor -Chromatique 12 Etudes, Op.10
3. Chopin No.3 In E Major -Tristesse 12 Etudes, Op.10
4. Chopin No.4 In C Sharp Minor 12 Etudes, Op.10
5. Chopin No.5 In G Flat Black Keys 12 Etudes, Op.10
6. Chopin No.6 In E Flat Minor12 Etudes, Op.10
7. Chopin No.7 In C Major 12 Etudes, Op.10
8. Chopin No.8 In F Major 12 Etudes, Op.10
9. Chopin No.9 In F Minor 12 Etudes, Op.10
10. Chopin No.10 In A Flat Major 12 Etudes, Op.10
11. Chopin No.11 In E Flat Major 12 Etudes, Op.10
12. Chopin No.12 In C Minor Revolutionary 12 Etudes, Op.10
13. Chopin No.1 In A Flat Major- Harp Study 12 Etudes, Op.25
14. Chopin No.2 In F Minor 12 Etudes, Op.25
15. Chopin No.3 In F Major 12 Etudes, Op.25
16. Chopin No.4 In A Minor 12 Etudes, Op.25
17. Chopin No.5 In E Minor 12 Etudes, Op.25
18. Chopin No.6 In G Sharp Minor 12 Etudes, Op.25
19. Chopin No.7 In C Sharp Minor 12 Etudes, Op.25
20. Chopin No.8 In D Flat Major 12 Etudes, Op.25
21. Chopin No.9 In G Flat Major - Butterfly Wings 12 Etudes, Op.25
22. Chopin No.10 In B Minor 12 Etudes, Op.25
23. Chopin No.11 In A Minor Winter Wind 12 Etudes, Op.25
24. Chopin No.12 In C Minor 12 Etudes, Op.25
25. Schumann Theme Symphonic Studies, Op.13
26. Schumann Etude I Symphonic Studies, Op.13 - With repeat
27. Schumann Variation I Symphonic Studies, Op.13 -Appendix - With repeat
28. Schumann Etude II Symphonic Studies, Op.13 -With repeat
29. Schumann Etude III Symphonic Studies, Op.13 -With repeat
30. Schumann Etude IV Symphonic Studies, Op.13
31. Schumann Etude V Symphonic Studies, Op.13 -With repeat
32. Schumann Variation II Symphonic Studies, Op.13 - Appendix
33. Schumann Variation III Symphonic Studies, Op.13 - Appendix - With repeat
34. Schumann Variation IV Symphonic Studies, Op.13 - Appendix - With repeat
35. Schumann Variation V Symphonic Studies, Op.13 -Appendix - With repeat
36. Schumann Etude VI Symphonic Studies, Op.13
37. Schumann Etude VII Symphonic Studies, Op.13
38. Schumann Etude VIII Symphonic Studies, Op.13 -With repeat
39. Schumann Etude IX Symphonic Studies, Op.13
40. Schumann Etude XSymphonic Studies, Op.13 -With repeat
41. Schumann Etude XI Symphonic Studies, Op.13
42. Schumann Etude XII (Finale) Symphonic Studies, Op.13
43. Chopin 3 Nouvelles Etudes No.1 In F Minor
44. Chopin 3 Nouvelles Etudes No.2 In A Flat
45. Chopin 3 Nouvelles Etudes No.3 In D Flat
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Valentina Lisitsa / Études
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Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/26 Symphonic Studies, Op. 13: Etude I.flac Track gain : -1.78 dB
Peak : 0.741058
CRC32 hash (test run) : DDBDECCE
CRC32 hash : DDBDECCE
CRC32 hash (skip zero) : 62B780B2
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 27
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/27 Symphonic Studies, Op. 13: Appendix: Variation I.flac Track gain : -1.49 dB
Peak : 0.677094
CRC32 hash (test run) : 0127A99D
CRC32 hash : 0127A99D
CRC32 hash (skip zero) : 1396D16D
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 28
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/28 Symphonic Studies, Op. 13: Etude II.flac Track gain : -2.61 dB
Peak : 0.937164
CRC32 hash (test run) : 41788C8D
CRC32 hash : 41788C8D
CRC32 hash (skip zero) : 67FFAC49
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 29
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/29 Symphonic Studies, Op. 13: Etude III.flac Track gain : 0.83 dB
Peak : 0.719604
CRC32 hash (test run) : 4511776F
CRC32 hash : 4511776F
CRC32 hash (skip zero) : 3DD583CF
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 30
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/30 Symphonic Studies, Op. 13: Etude IV.flac Track gain : -4.08 dB
Peak : 0.911865
CRC32 hash (test run) : 4DC51CF2
CRC32 hash : 4DC51CF2
CRC32 hash (skip zero) : 7313A489
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 31
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/31 Symphonic Studies, Op. 13: Etude V.flac Track gain : -1.92 dB
Peak : 0.749634
CRC32 hash (test run) : 4C04F810
CRC32 hash : 4C04F810
CRC32 hash (skip zero) : 1E0AB4CB
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 32
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/32 Symphonic Studies, Op. 13: Appendix: Variation II.flac Track gain : 0.34 dB
Peak : 0.873199
CRC32 hash (test run) : 238724B6
CRC32 hash : 238724B6
CRC32 hash (skip zero) : 8E73B6F0
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 33
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/33 Symphonic Studies, Op. 13: Appendix: Variation III.flac Track gain : -2.91 dB
Peak : 0.857666
CRC32 hash (test run) : 44D6ED51
CRC32 hash : 44D6ED51
CRC32 hash (skip zero) : 28C23837
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
![Valentina lisitsa quits Valentina lisitsa quits](/uploads/1/2/6/4/126476219/283745290.jpg)
Damaged sector count : 0
Track 34
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/34 Symphonic Studies, Op. 13: Appendix: Variation IV.flac Track gain : 0.52 dB
Peak : 0.899689
CRC32 hash (test run) : 9017E945
CRC32 hash : 9017E945
CRC32 hash (skip zero) : B078ECDF
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 35
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/35 Symphonic Studies, Op. 13: Appendix: Variation V.flac Track gain : 10.10 dB
Peak : 0.285553
CRC32 hash (test run) : E69F3FF4
CRC32 hash : E69F3FF4
CRC32 hash (skip zero) : B2F56D75
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 36
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/36 Symphonic Studies, Op. 13: Etude VI.flac Track gain : -2.93 dB
Peak : 0.845490
CRC32 hash (test run) : 037A3874
CRC32 hash : 037A3874
CRC32 hash (skip zero) : 03454CF4
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 37
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/37 Symphonic Studies, Op. 13: Etude VII.flac Track gain : -3.89 dB
Peak : 0.935394
CRC32 hash (test run) : CD9C6E3F
CRC32 hash : CD9C6E3F
CRC32 hash (skip zero) : C8336FEE
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 38
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/38 Symphonic Studies, Op. 13: Etude VIII.flac Track gain : -1.48 dB
Peak : 0.929260
CRC32 hash (test run) : 8B7F661D
CRC32 hash : 8B7F661D
CRC32 hash (skip zero) : D7672275
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 39
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/39 Symphonic Studies, Op. 13: Etude IX.flac Track gain : -1.38 dB
Peak : 0.706757
CRC32 hash (test run) : 9E90801B
CRC32 hash : 9E90801B
CRC32 hash (skip zero) : 77B3D25E
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 40
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/40 Symphonic Studies, Op. 13: Etude X.flac Track gain : -4.43 dB
Peak : 0.944977
CRC32 hash (test run) : 018CD59D
CRC32 hash : 018CD59D
CRC32 hash (skip zero) : 22EF5371
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 41
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/41 Symphonic Studies, Op. 13: Etude XI.flac Track gain : 0.41 dB
Peak : 0.757233
CRC32 hash (test run) : 8E01FA1D
CRC32 hash : 8E01FA1D
CRC32 hash (skip zero) : 5CFB2EE7
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
Track 42
Filename : /Volumes/Hund/LAMEs/Valentina Lisitsa - Études (Unknown Year) [FLAC]/42 Symphonic Studies, Op. 13: Etude XII (Finale).flac Track gain : -5.47 dB
Peak : 0.950836
CRC32 hash (test run) : A5E78074
CRC32 hash : A5E78074
CRC32 hash (skip zero) : A8E54D83
Statistics
Read error : 0
Jitter error (maybe fixed) : 0
Retry sector count : 0
Damaged sector count : 0
No errors occurred
End of status report
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